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Bio / Artist's Statement

I was born in a little village in Czechoslovakia and I remember drawing portraits of Indians, even before I started school.Today I call Taos my home and I would like to take this opportunity to express how grateful I am for being accepted here by all the local people, no matter what culture or religion they belong to.

Drawing and painting was nothing else but a hobby for me, but that changed during my years in Denmark while attending The School of Personal Expression. I have learned to paint on wall size canvases using big cans of paint, large brushes, but first of all, I have learned to become fearless when it comes to express your self . We would sit down on the floor, play some powerful classical music on full blast and wait for the first impulse, be it a movement or color, then get up and start painting.

Suddenly, what was a hobby, became a neccessity. I realized, that I have to paint. It was an obsession and in reality - a healing process. In Denmark I had several shows together with my fellow students from school, but my first one woman show came to life here in Taos. At that time I was already on my spiritual quest, a neverending journey, and all my paintings reflected that. Large abstract pieces, where the layers would emerge and disappear just like other dimensions, where parallel lives and realities were definite possibilities. I liked to call them "Windows to the skies".

There was an eternal promise that one day we will be able to move beyond the limitation of third dimension. The last two years have been the most challenging years in my life. My physical body was slowed down by an illness and ultimately gave me more and more time to think and feel who I am. My personal and spiritual growth intensified. At the same time, my healing process wasn't going anywhere and I had no choice but to turn my back on traditional medicine.

I focused on energy and realized, where there is energy, there is electromagnetism. I applied it in my healing process and than something amazing started happening in my life. Suddenly, everything was about electromagmetism. When I realized that crop circles have to do with that as well, I was prompted to look closely into this phenomena and to utilize it in my artwork - once again as a healing process.

The following information is channeled by Judith K.Moore:

• Crop circles and other formations are made by a phenomenon of collective consciousness. Benevolent ultraterrestrial beings participate as humans do. Some of these transmissions are technical and involve terms that are not yet present in current languages.
  

• These formations contain formulas to balance the world's energetics, sustain planetary systems and transform conciousness. The power of these transmissions also affects the energetics of world trade, the judicial system and global finances.
  

• Crop circles (just like everything else) are geometric fractal patterns and mathematic formulas. When an image of sacred geometry is viewed it imprints the psyche with a message that reaches beyond the conscious mind into supraconscious. By its very essence a spiritual power and force are at work.
  

• When you enter a crop formation, your DNA becomes part of the formula, but it is not necessary to travel to the sites where they appeared in order to participate in this mystery. When you view one of these formulas, your pineal gland receives it and relays its vibration to your DNA. The crystalline DNA is the living library of light. It is holographic in nature and a link in the activation process of crop circles. One of the functions of crop circles is activation of the cosmic DNA and soul DNA, as well the physical DNA and expansion of brain's neurosynapses, which clears the old thought patterns. Our conciousness then expands beyond what we third dimensional beings of light are capable to perceive during the long dark age of human soul known as separation from oneness. Ancient prophecies speak of return to oneness and the time is now.

When I work with crop circles I paint them on canvas and then I photoghraph them to transfer the design to Adobe Photoshop which allows me to work with light and color in a way, that I would never be able to accomplish with traditional painting process. The result is an abstract piece of art, that carries ascension code and activate viewers light body.